Developing Jacquard Woven Saree With Kurumba Tribal Painting

Authors

  • Vijayalakshmi ravi Assistant Professor, Department of Leather Design, National Institute of Fashion Technology, Rajiv Gandhi Salai, Taramani, Chennai, Tamilnadu, India Author
  • Dr.R.Sheela john HOD, Department of Costume Design and Fashion, Bishop Appasamy College of Art and Science, No: 129, Race Course Road, Coimbatore, Tamilnadu, India Author

DOI:

https://doi.org/10.47392/irjash.2020.253

Keywords:

Tribal art awareness, Woven saree, Kurumba painting, Jacquard weaving

Abstract

India has a wide scope of materials regarding plan, procedures, colors utilized and strategies. Indian material history has been layered and advanced by subtleties of transitory weavers, unfamiliar attacks and strict impacts. The wide scope of plan and weave, explicit to the area of their origin, are magnum opuses upgraded by the aptitudes of the specific skilled workers and their custom. Material planning is tied in with making designs for fabric which can be utilized in different applications. Bhatnagar (2002) states that materials have been delivered in India since relic. The creation and advancement of Indian material has an ancient birthplace. Nonetheless, not many of the old plans actually exist. One explanation is that material has for some time been viewed exclusively as an article of utilization, instead of as a work of art and plans are lost through regular mileage. Everyone mourns about the perishing artistic expressions of the nation in which Kurumba painting is one.

         

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Published

2020-12-01